I'm always on the look out for fascinating new authors. Recently I met Andrew Joyce and his novel, Molly Lee intrigues me. Andrew joins us today to tell us a bit more about himself and his writing, and to give us some insight on MOLLY LEE, which is on my to be reviewed list. Welcome Andrew!
My name is Andrew
Joyce, and I write books for a living. I have a new book out entitled MOLLY
LEE and it’s averaging 4.9 stars on Amazon and Goodreads with sixty-eight total reviews. Here’s a link if you
would like to check it out: http://geni.us/molly
Amazon USA Amazon Canada Amazon UK
The story is a
female-driven account of a young, naive girl’s journey into an independent,
strong woman and all the trouble she gets into along the way.
Now you may possibly be
asking yourself, What is a guy doing
writing in a woman’s voice? And that is a good question. I can only say
that I did not start out to write about Molly; she just came to me one day and
asked that I tell her story.
Perhaps I should start
at the beginning.
My first book was a 164,000-word historical novel. And in the publishing
world, anything over 80,000 words for a first-time author is heresy. Or so I
was told time and time again when I approached an agent for representation.
After two years of research and writing, and a year of trying to secure the
services of an agent, I got angry. To be told that my efforts were meaningless
was somewhat demoralizing to say the least. I mean, those rejections were
coming from people who had never even read my book.
“So you want an 80,000-word novel?” I said to no one in particular,
unless you count my dog, because he was the only one around at the time.
Consequently, I decided to show them City
Slickers that I could write an 80,000-word novel!
I had just finished reading Mark Twain’s Huckleberry Finn for the third
time, and I started thinking about what ever happened to those boys, Tom and
Huck. They must have grown up, but then what? So I sat down at my computer and
banged out REDEMPTION: The Further Adventures of Huck Finn and Tom Sawyer in
two months. Then I sent out query letters to agents.
Less than a month later, the chairman of one of the biggest agencies in New
York City emailed me that he loved the story. We signed a contract and it was
off to the races, or so I thought. But then the real fun began: the serious
editing. Seven months later, I gave birth to Huck and Tom as adults. And just
for the record, the final word count is 79,914. The book went on to reach #1 status on Amazon twice, and the rest,
as they say, is history.
Amazon USA Amazon Canada Amazon UK
But not quite.
My agent then wanted me to write a sequel, but I had other plans. I was in
the middle of editing down my first novel (that had been rejected by 1,876,324
agents . . . or so it seemed) from 164,000 words to the present 142,000.
However, he was insistent, so I started to think about it. Now, one thing you
have to understand is that I tied up all the loose ends at the end of REDEMPTION, so there was no way that I
could write a sequel. And that is when Molly asked me to tell her story. Molly was a character that we
met briefly in the first chapter of REDEMPTION,
and then she is not heard from again.
This is the description for MOLLY LEE:
Molly is about to set off on
the adventure of a lifetime . . . of two lifetimes.
It’s
1861 and the Civil War has just started. Molly is an eighteen-year-old girl
living on her family’s farm in Virginia when two deserters from the Southern
Cause enter her life. One of them—a twenty-four-year-old Huck Finn—ends up
saving her virtue, if not her life.
Molly
is so enamored with Huck, she wants to run away with him. But Huck has other
plans and is gone the next morning before she awakens. Thus starts a sequence
of events that leads Molly into adventure after adventure; most of them not so
nice.
We
follow the travails of Molly Lee, starting when she is eighteen and ending when
she is fifty-six. Even then Life has one more surprise in store for her.
As I had wondered whatever became of Huck and Tom, I also wondered what
Molly did when she found Huck gone.
I know this has been a long-winded set up, but I felt I had to tell the
backstory. Now I can move on and tell you about Molly.
As stated earlier,
Molly starts out as a naive young girl. Over time she develops into a strong,
independent woman. The change is gradual. Her strengths come from the
adversities she encounters along the road that is her life.
With each setback,
Molly follows that first rule she set against self-pity and simply moves on to
make the best of whatever life throws her way. From working as a whore to
owning a saloon, from going to prison to running a ranch, Molly plays to win
with the cards she’s dealt. But she always keeps her humanity. She will kill to
defend herself and she has no problem killing to protect the weak and preyed
upon. However, when a band of Indians (for instance) have been run off their
land and have nowhere else to go, Molly allows them to live on her ranch, and
in time they become extended family.
PRAISE FOR MOLLY LEE
This is from a review
on Amazon:
A
young female in nineteenth-century rural America would have needed courage,
fortitude, and firm resolve to thrive in the best of circumstances. Molly Lee
possesses all of these, along with an iron will and an inherent ability to read
people accurately and respond accordingly.
I reckon that about
sums up Molly.
I would like to say
that I wrote MOLLY LEE in one sitting and everything in it is my pure genius. But that would be a lie.
I have three editors (two women and one guy). They kept me honest with regard
to Molly. When I made her a little too hard, they would point out that she had
to be softer or show more emotion in a particular scene.
I set out to write a
book where every chapter ended with a cliffhanger. I wanted the reader to be
forced to turn to the next chapter. And I pretty much accomplished that, but I
also wrote a few chapters where Molly and my readers could catch their
collective breath.
One last thing:
Everything in MOLLY LEE is historically correct from the languages of the
Indians to the descriptions of the way people dressed, spoke, and lived. I
spend as much time on research as I do in writing my stories. Sometimes more.
Here is a 1200 word
excerpt from MOLLY LEE:
That’s the way things stood for the
next month. Business increased a little, partly due to my promoting myself as
The Spicy Lady and partly because the snows had come. The miners could not work
and had to stay with their claims throughout the winter or someone would take
them over. I heard that the previous year, a few miners had left for the winter
and when they returned, someone was sitting on their claims. It led to a little
gunplay resulting in the one getting to his gun first ending up with the mine.
With the miners not mining, there was nothing for them to do but go to a saloon
and warm their insides with whiskey and their outsides with one of the whores.
I had made no progress with John
Stone. He was always polite enough, but that’s as far as it went. It was on a
Tuesday night—not that the day of the week matters—that I finally worked up the
courage to make a play for him. As usual, he was sitting in his chair watching
the room. Over the last few weeks, there had been a few minor altercations, but
John always kept things peaceful. Sometimes it took a blunt knock to someone’s
head with the stock of his shotgun, other times he had to point the ten gauge
in someone’s face. Both methods seemed to work equally well.
I walked over to John and with a
nod to the shotgun resting on his lap, I asked, “Won’t you hurt innocent people
if you ever have to discharge that thing?”
He didn’t say anything for a minute
or so, then he let fly with a stream of tobacco juice out of the side of his
mouth, and I’ll be damned if he didn’t hit the spittoon sitting next to his
chair dead center. Without taking his eyes from the room, he answered me. “It’s
just for show. If you point a ten gauge at a man, most of the time he’ll do
what you say. If I ever have to shoot somebody, I'll use this.” He then touched
the Colt Dragoon holstered on his hip.
I had just asked him if I could buy
him a drink at the end of his shift when a ruckus broke out over at the faro
table. I turned around to see what all the commotion was about and saw a man
holding a revolver on Chan Harris. “You’ve been cheating me all night. I’ve
lost my poke to your double-dealin’ ways, and now I want it back!”
Chan shrugged and started to count
out some gold coins. After all, it wasn’t his money, it was mine. He’d give the
man his money back and let me worry about it. Smart thinking on his part. But
he wasn’t counting fast enough to suit the man holding the gun. The shot, when
it came, made all those within the room jump. All, that is, except John Stone.
Chan started to fall to the floor
while the other two men at the table dove for cover, as did everybody else in
the room except John and me. Before Chan hit the floor, John had the Colt out
of its leather, and from his hip put a bullet into the gunman’s heart. Of
course, it entered from the back, but no one was complaining, least of all the
dead man bleeding onto my floor with two twenty-dollar gold pieces clutched in
his left hand.
After the smoked cleared, John
said, “I reckon I could use a whiskey after work.”
I ran over to where Chan lay and
knelt down to see what I could do to help him, but he was already dead.
The place cleared out fast. A few
men stayed and formed a circle around Chan and me. Still kneeling next to him,
I looked up into their hard faces. I saw nothing. To them, death on a Tuesday
night was just another night out on the town. Maybe a shooting added a little
excitement, unless you were the one shot.
I had seen dead men before. There
were those two Yankees back at the farm and George Anderson in St. Louis.
Mister Fellows died in my arms. I wore his blood on my shirt until the shirt
was taken away from me by Crow Mother. I don’t know why, but Chan’s death
affected me more than the others had. Maybe because after finding the gold and
buying The Spicy Lady, I thought my life would calm down some. Now here I was
kneeling over another dead man. A man I didn’t even know that well. But he
worked for me, and I thought I should have done better by him. He should not
have died making money for me.
I stood up and wanted to tell those
still present to leave, but the words would not come. I started trembling and
was about to scream when I felt a strong, hard arm around my shoulder and heard
a voice, a surprisingly gentle voice considering who it came from, say, “You
boys best be getting on; we’ll be closing early tonight.” No one ever argued
with John Stone. They all filed out into the cold night.
John took over. When the saloon was
empty except for those that worked there, he told Mike and Dave to carry Chan
into the back room and lay him out. He ordered me to go to the bar and have Abe
pour me a glass of rye.
John was standing over the man he
had just killed. I didn’t know what he was thinking and at that point I didn’t
care. I was supposed to be a hard woman, but here I was going to pieces. If we
hadn’t been snowed in, I would have gotten on my horse that very minute and
headed back to Virginia to be held in my mother’s arms.
We didn’t have any law in town.
There was no marshal or sheriff. We didn’t even have a mayor. When Mike and
Dave came back from laying out Chan, John told them to pick up the other man
and throw him out onto the street. “Then go to Chan’s digs and see if there are
letters or something to tell us if he had any next of kin. After that, go
home.”
He directed Abe and Gus to leave by
the back door and lock up as usual. As I’ve said, no one ever argued with John
Stone. They all did as instructed.
John got the place closed up and
came over to where I sat. He was holding the cash box. “You want to put this in
the safe before you go upstairs?”
I looked up at him and started to
laugh. I was getting hysterical. John nodded and went into my office. When he
returned he said, “I put it on your desk; it’ll be safe enough.” He held out
his hand and I took it. He pulled me to my feet and without saying a word, he
walked me upstairs.
That night John Stone held me as I
cried for Chan Harris . . . and maybe a little for myself.
Well, that’s Molly. I
hope I’ve piqued your interest enough to go out and buy my book. If not, I’ll
come over and wash your car or maybe even cut your lawn if you’ll click on this
link and buy it.
Thank you, Mirella, for
having me over. It’s been a pleasure.
Andrew Joyce
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